loop duration: 16 min. 14 sec.
Consideration of the human in a time of uncertain futures weaves through much of Tan’s recent output. In her work “Apocalypse” (2014), Tan uses a camera to scan scenes of the medieval tapestry “L’Apocalypse d’Angers” (1373–83) on display in the Château d’Angers in France. Measuring nearly five metres in height and more than a hundred in length, the cycle is thought to be the largest extant tapestry work of the Middle Ages. The artist supplemented the shots with texts running through the images describing various details of the cycle. Yet the passing letters are also reminiscent of the unceasing information stream of news and stock tickers, forming a connection to events of our present, manifested through the data of share prices, casualty figures and referendum results.